"Maiki"

The Kochi-based comic book publishing house serendipitously found itself stepping into the Indian film industry about a decade ago — thanks to and partly due to their intent to fund their first love. Verve speaks to founders Tina and Pratheek Thomas to trace the changing face of title sequences with the advent of OTT and their ascendence within the worlds of credits and comic books
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The much talked-about exhibition was a fitting documentation of the country’s milestones that impacted the global imagination through two parallel, carefully curated narratives — the story of fashion and a visual referencing of India in its scenographies
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The founder of the almost decade-old contemporary art gallery in Mumbai tells us what colours her artistic vision and how the new space has been designed to grow their gallery programme
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Returning to host the second edition of the festival, Sassoon Docks — a neglected but vital part of the city — provides a compelling narrative backdrop for the two-month-long event that aims to spotlight ideas and issues that require mainstream attention. Artists Parag Tandel, Ayaz Basrai and Amrit Pal Singh walk us through their creative processes, from conception to completion
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Sutr Santati: Then Now Next, an exhibition of textiles held in New Delhi at the National Museum, put the spotlight on scholars, designers, organisations and students keenly immersed in the textile landscape of the nation. And, without the pressures of commerce, the body of work created by artisans proved to be a singular showcase
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Over the last few decades, the IIT-IIM nexus has embedded itself in our collective imagination. We examine how these prestigious technology and management institutes took on a newer significance in the post ’90s economic landscape — one fixated on material achievements as markers of success — and put the obsession with the institutes in the context of the matrimony portal IITIIMShaadi.com, which propagates a similar culture of exclusivity
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It may have been the reason for “Housefull” signs in theatres again, but the first instalment of Ayan Mukerji’s much-awaited fantasy trilogy met with mixed reactions. The dialogues in particular, which were intended to polish the film’s aspirational edge, came under fire because of the purported inauthenticity of their phrasing. We explore the film’s relationship to language and how Dharma Productions, an industry powerhouse that has successfully employed Hinglish in several of its productions, failed to do the same thing in its most globally ambitious project yet
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The recently released Tamil-language film Gargi featured scenes of sexual assault that raised questions about its sensitive portrayal on-screen. Feminist historian and activist V. Geetha speaks to Verve about the ethics of picturising such violence, the function of trigger warnings, the rape-revenge genre, as well as imagining a visual narrative outside of the criminal justice framework
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