Parched
Last seen in Ribbon (2017), Sumeet Vyas — who realised early on that he could spin believable tales — is swiftly impressing with his performances across mediums and will soon be seen in the much-awaited Veere Di Wedding
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Although our heroines have come into their own in contemporary cinema, many films — even today — are made from the point of view of a male gaze. We analyse the changing portrayal of women in the movies
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A poster girl for regional and art-house cinema, she is equally at ease doing Hindi, Marathi, Telugu and Bengali films — and is sitting pretty with plum projects in her kitty
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"There can be no bigger high than creating that perfect shot!"
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