Arts & Culture | Verve Magazine - Part 2
India's premier luxury lifestyle women's magazine
January 29, 2021

Delhi-based visual artist Imdad Barbhuyan recalls the memory of when his mother dressed him up in one of...
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August 19, 2022

The recently released Tamil-language film Gargi featured scenes of sexual assault that raised questions about its sensitive portrayal on-screen. Feminist historian and activist V. Geetha speaks to Verve about the ethics of picturising such violence, the function of trigger warnings, the rape-revenge genre, as well as imagining a visual narrative outside of the criminal justice framework
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August 14, 2022

Tales from the Border, cultural bonding, unexpected windfalls and archival footage. Culture know-all, Anil Dharker, looks at the rediscovery of India with wry amusement
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Vidisha-Fadescha, founder of the New Delhi based anti-caste, anti-racist, trans*feminist art and social space Party Office, reflects on challenging heteronormativity and capitalism through partying and on creating safe spaces for the DBA and LGBTQIA+ communities
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July 04, 2022

The following is an exclusive excerpt from Nilanjana Bhowmick’s ‘Lies Our Mothers Told Us: The Indian Woman’s Burden’, which takes a closer look at middle-class Indian women and the structural inequalities that frame their lives. The book will be out on July 5
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May 25, 2022

Much has been written about Ranveer Singh’s untraditional off-screen persona, so on the heels of ‘Jayeshbhai Jordaar’ we instead deconstruct the actor’s displays of masculinities across his filmography to understand how he has chipped away at the toxic convention of a “mass hero” — whose contemporary avatar has increasingly been playing to the Hindutva imagination — and the innate gentleness that underpins several of his roles
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May 06, 2022

‘Sharmaji Namkeen’ marked a pivotal departure for mainstream Indian cinema with the casting of Paresh Rawal as the same character played by Rishi Kapoor, who passed away unexpectedly during the filming. We consider the willing acceptance of this unconventional solution — likely encouraged by Ranbir Kapoor’s personalised introduction before the opening credits — and what it says about Indian spectatorship, celebrity culture and the audience’s relationship with Bollywood’s “first family”
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April 28, 2022

Economist and author of the popular book ‘Desperately Seeking Shah Rukh: India’s Lonely Young Women and the Search for Intimacy’, Shrayana Bhattacharya breaks down her findings on romantic desire and freedom, fantasising as a form of self-care and how the Bollywood superstar’s icon interacts with the socio-economic structures that define our deeply capitalistic notions of romantic love
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April 08, 2022

Film-maker Jyoti Nisha scripts bittersweet scenes from her past as she traces the early loss of the innocence that once guided her younger self – a girl who loved commercial Hindi films and dreamed of one day making them – until she became keenly aware of the wilfully ignorant patriarchy and caste prejudice that sustains them and the world they represent
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